She is totally at ease, a portrait of physical and mental command.Д®lfasciвЂ™s rendition is also a triumph of perspective. Her composure is central to her performance.

She performs with astonishing dexterity and grace, her fingers moving through long passages of chords that are excruciating to play. A couple faithful arrangements have been written, but only a handful of guitarists can play them, and, even then, it can take a few years to get up to speed.Д®lfasciвЂ™s version goes well beyond that, employing a highly nuanced approach, especially through her extensive use of harmonics. вЂњClair De LuneвЂќ is generally regarded as impossible. To many it sounds good only on the piano, particularly the rendition provided by Debussy himself, one of the premier pianists of his era:Д«esides, music written for a keyboard can be hard to play on guitar. вЂњClair de LuneвЂќ was written for the piano by Debussy. I have a feeling many of the viewers of ElfasciвЂ™s video are classical guitarists bewildered by her performance. It is not only the best rendition of вЂњClair de LuneвЂќ on guitar it is one of the very best, period. It is one of just four videos posted by Roxane Elfasci, a French classical guitarist. The number of views is well over three and a half million. On YouTube there is a music video of DebussyвЂ™s вЂњClair de LuneвЂќ which is spellbinding, a rendition of exquisite tenderness. Music for Music: Clair de Lune and The Enigma

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